Biography

Sheetol Chawla is an award-winning wearable sculpture artist based in Auckland, Aotearoa New Zealand. Through research-led artistic practice, she creates museum-quality wearable artefacts that transform cultural histories, mythology, spirituality, and collective memory into contemporary sculptural forms. Rather than creating fashion for commercial production, her work exists as an evolving body of artistic research that preserves stories, encourages dialogue between cultures, and explores the shared experiences that connect humanity.

Having migrated from India to Aotearoa New Zealand, Chawla’s practice is also shaped by a personal exploration of identity, belonging, and place. Living between two cultures has led her to continually reflect on questions of who we are, where we come from, and how cultural memory is carried across generations and borders. These experiences have become central to her practice, inspiring bodies of work that seek to honour diverse histories while building meaningful connections between people, cultures, and nations.

Her major bodies of work include EOS, inspired by the Greek goddess of dawn; Black Lioness, exploring the symbolism and transformative power of the Hindu goddess Kaali; REINGA, a respectful tribute informed by Māori understandings of Te Rerenga Wairua and the spiritual journey of the wairua; MOANA, celebrating Aotearoa New Zealand’s oceanic identity; and the ongoing Medici Project, which investigates history, architecture, and cultural legacy through the Renaissance.

Internationally recognised through the Hokonui Fashion Design Award, the French Fashion Awards, and the World Design Award at Miss World, Chawla’s practice extends beyond exhibitions and accolades. Her long-term vision is the creation of a permanent artistic archive—one that preserves cultural knowledge, fosters cross-cultural understanding, and contributes to cultural diplomacy through wearable sculpture. Each body of work becomes another chapter within this expanding archive, created not only to be experienced in the present but to remain meaningful for future generations.

2026

Cultural Leadership & Public Engagement

Presented Black Lioness and unveiled REINGA during the NZICA Centenary Celebration, where REINGA paid respectful tribute to Māori understandings of Te Rerenga Wairua and the spiritual journey of the wairua. The event brought together cultural leaders, community organisations, and dignitaries in a celebration of cross-cultural dialogue through wearable sculpture.

During the same year, Chawla was invited to serve as Sector Leader – Fashion, Textiles & Apparel for the India New Zealand Chamber of Commerce & Industry (INZCCI), contributing to leadership and advocacy within the creative sector.

2025

Cultural Leadership & Public Engagement

Black Lioness received international recognition at the French Fashion Awards, earning two Platinum Awards and one Gold Award for excellence in wearable art, innovation, and craftsmanship.

Later that year, Chawla received the prestigious World Design Award at Miss World 2025 for MOANA, a sculptural wearable artwork representing Aotearoa New Zealand’s oceanic identity on the international stage. The work celebrated the country’s relationship with the ocean through movement, materiality, and sculptural form.

2024

International Exhibition

After more than a year of intensive research, design development, and meticulous handcraftsmanship, Chawla completed Black Lioness—an intricate body of wearable sculptures inspired by the symbolism, strength, and transformative power of the Hindu goddess Kaali.

The collection was exhibited in Paris during Paris Fashion Week, marking her first major international exhibition and introducing her research-led artistic practice to a global audience.

2023

Establishing the Studio

Chawla established her studio in central Auckland, marking the beginning of a dedicated long-term artistic practice. Since then, she has focused on creating ambitious research-led bodies of work exploring cultural narratives, mythology, history, spirituality, and collective memory through wearable sculpture.

2018

Discovering Wearable Sculpture

Encouraged by her husband to attend a trial fashion course, Chawla discovered a creative discipline that united her lifelong interests in art, design, storytelling, craftsmanship, and culture. She continued her studies at Auckland University of Technology, graduating in 2022, where she refined her sculptural approach to fashion.

2015

A New Beginning in Aotearoa

Following her marriage to entrepreneur Harry Chawla, she immigrated to Aotearoa New Zealand. Like many migrants, she experienced the challenge of rebuilding identity while adapting to a new country and culture.

During this period, she returned to painting, undertaking commissioned portrait work before joining Soljans Estate Winery as an in-house artist. These experiences sustained her creative practice while she searched for a medium capable of expressing deeper cultural narratives.

2010

Interior Design Practice

Chawla joined her family’s interior design business in India, working as an Interior Designer on residential and commercial projects. The experience strengthened her understanding of spatial composition, structural thinking, proportion, materiality, and architectural form—principles that continue to inform the construction of her wearable sculptures today.

2002

Education

Chawla completed postgraduate studies in the arts while also undertaking professional training in interior design and computer technologies, building a multidisciplinary foundation that combined fine art, design, and technical practice.

2002

Education

Born in Delhi, India, Chawla grew up in a family where creativity, culture, and spirituality formed part of everyday life. From an early age she developed a passion for drawing, painting, textiles, handcraft, and design, creating charcoal portraits, paintings, and experimental artworks using a wide variety of materials. Her fascination with fashion began during the rise of Indian designer Ritu Beri, whose work revealed that fashion could become an expressive artistic discipline rather than simply clothing.

Today, Chawla continues to build an expanding archive of research-led wearable sculptures that preserve cultural memory, encourage dialogue between cultures, and contribute to the future of contemporary wearable art.